Did you apply to this job If so, please click “Applied for Job” to put it aside to your “Application History” web page. We embrace these past jobs as a way for you to explore what kinds of remote and versatile jobs Trunk Archive has hired for in the past and could be likely to hire for again sooner or later. Knowledge of archival and library metadata requirements, finest practices, and workflows. Prepare reports for the Project Director and the Advisory Committee and be prepared to answer questions regarding gadgets included in the project.
The Elaine Goldman and John Benis Internship for New York City Students at Aperture Foundation is meant to provide experience in working for a not-for-profit arts group for faculty students from numerous backgrounds who stay in or attend school in New York City. The Elaine Goldman and John Benis Diversity intern will work in the Development Department, focusing on particular event manufacturing. This is a six-month commitment that takes place in the spring of each 12 months.
The Hall presents a wide range of performances every season on its three iconic phases, including concert collection curated by acclaimed artists and composers; orchestral performances, chamber music, new music live shows, and recitals; and the best in jazz, world, and in style music. At least one year working in an archives, library, photography studio, or related subject. Allot weekly time to scan photos/negatives inside the museum archives and collections.
Prints & Photographs Online Catalog
The New York Transit Museum is the biggest museum within the United States dedicated to urban public transportation history, and one of the premier institutions of its kind on the earth. The Museum explores the event of the larger New York metropolitan region via the presentation of exhibitions, tours, educational programs, and workshops coping with the cultural, social, and technological historical past of public transportation. Since its inception 40 years in the past, the Museum, housed in a historic 1936 IND subway station in Downtown Brooklyn, has grown in scope and recognition. As custodian and interpreter of the area’s intensive public transportation networks, the Museum strives to share, via its public programs, this wealthy and vibrant historical past with local, regional, and worldwide audiences. The Contract Archivist should have a master’s diploma in museum studies, library & info science, archival research, history or a carefully related subject. Friends of the New York Transit Museum has a chance for a grant funded contract Archivist for a cataloging, survey, and digitization collections care grant project awarded by the Robert D.L. Gardiner Foundation.
You can change your consent settings at any time by unsubscribing or as detailed in our terms. If accepted, please present the Work Scholar Coordinator with the relevant paperwork out of your university. Yes, Aperture’s journal, books, and exhibitions have a world viewers and we’re at all times excited by the contribution of worldwide interns. Please notice that Aperture is unable to provide visas or pay visa charges. At this time, we are presently not accepting functions for any of the Aperture Internship programs. Aperture Foundation’s internships offer the chance to have interaction, contribute, and work alongside editors, publishers, educators, and more.
They can also be involved in utilizing pc technology to archive digital material and convert present archives from conventional to digital codecs. More about how our archives program is organized, our present projects, and the policies and documentation that help our work. Possesses enough knowledge to establish at-risk materials and the preservation wants of audiovisual collections.
Must be proficient within the Adobe suite and have fundamental photo modifying expertise. Must be ready to juggle multiple deadline-driven initiatives and manage shifting inside priorities. Experience in HTML5/CSS, video modifying, and email advertising is a plus. Please ship resume/portfolio to Lisa Lappe, Director of Marketing,
In addition, tear sheets from the Paper Archive present in unfastened format and in scrapbooks compiled by Penn usually have the adverse, contact print, and take a look at print counterparts within the Photographic Archive. Exemplifying this concept are the Vogue tear sheets of a mannequin carrying white “Marguerite” clothes, whereas Leon Danielian of the Ballet Russe de Monte Carlo portrays a very tempting Mephisto (Vogue, November 15, 1949, pp. 106–07). These tear sheets are fascinating for the topic matter in itself.